{"id":32911,"date":"2025-05-04T23:50:45","date_gmt":"2025-05-04T21:50:45","guid":{"rendered":"https:\/\/www.asphalt-festival.de\/en\/?post_type=events&p=32911"},"modified":"2025-07-18T11:22:55","modified_gmt":"2025-07-18T09:22:55","slug":"a-dolls-house","status":"publish","type":"events","link":"https:\/\/www.asphalt-festival.de\/en\/events\/2025\/a-dolls-house\/","title":{"rendered":"A Doll’s House"},"content":{"rendered":"
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‘Immersive theatre reaches a whole new level.’<\/span>
Financial Times<\/span><\/p>\n\n<\/div><\/div><\/div>\n\n

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Henrik Ibsen’s play “A Doll’s House” is one of the most frequently performed plays in the world. As a representative of Scandinavian naturalism, the playwright attached great value to the precise and unsparing description of his protagonists, their actions and the environment in which they live. Ibsen demanded that theatre should be like “real” life, the actors like real people and the backdrop of a living room like a real living room. The Danish theatre group Fix & Foxy takes him at his word – and his demands to the extreme. They stage “A Doll’s House” as “the most realistic version ever” – with three actors and a real couple in their real home. To maintain the authenticity of the situation, there are no rehearsals and no preparations for the couple… “A Doll’s House” premiered in Oslo in 2014 and has since been shown in local versions in Danish, Swedish, Norwegian, English and French in numerous European countries. Fix & Foxy have been producing theatre plays, performance art and immersive installations for almost 20 years. They have already wowed audiences at the asphalt Festival 2022 with their multi-award-winning Western “Dark Noon”.<\/p>\n

– – –
What the press say:<\/p>\n

‘A courageous study of humankind’ <\/span>
Magasinet KBH<\/span><\/p>\n

‘This is theatre at its best.’ <\/span>
Kulturtid<\/span><\/p>\n

‘Tender, tentative and charged’ <\/span>
WhatsOnStage<\/span><\/p>\n

‘…never experienced theatre quite like this before’ <\/span>
TNT Magazine<\/span><\/p>\n

‘A confronting, challenging and compelling adaptation that engages with love and domesticity to evoke a keen sense of discomfort.’ <\/span>
Everything Theatre<\/span><\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n<\/div>

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\"Asphalt<\/a><\/div><\/div>
\"Asphalt<\/a><\/div><\/div>
\"Asphalt<\/a><\/div><\/div><\/div><\/div>\n<\/div><\/div>
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The original Danish version was produced by Fix+Foxy in collaboration with The National Theatre (NO) and The Royal Theatre (DK), supported by Stiftelsen Skandinavisk Teaterpris.<\/span><\/p>\n\n<\/div><\/div><\/div>\n\n

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Fotos: Per Morten Abrahamsen, Fix+Foxy<\/span>
– – –<\/p>\n\n\n\n

with Jakob Hannibal, Ben Samuels, Anna Bjørgulf<\/p>\n

Concept, manuscript: Tue Biering, Jeppe Kristensen, fix+foxy
Director original version: Tue Biering\/fix+foxy
Director Asphalt version: Jonas Preben Jørgensen
Producer: Annette Max Hansen\/fix+foxy<\/p>\n

fixfoxy.com<\/a><\/p>\n\n<\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>

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